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Archaic and Classical Greek Art (Oxford History of Art)
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This fascinating new account of what happened in Greece from c.800
to 323 bc shows how sculptors and painters responded to the challenges
they faced in the extremely formidable and ambitious world of the Greek
city-state. The numerous symbols and images employed by their eastern
Mediterranean neighbours on the one hand, and the explorations of what
it was to be human embodied in the narratives with which Greek poets
worked on the other, helped produce the rich diversity of forms apparent
in Greek art. The drawings and sculptures of this period referred so
intimately to the human form as to lead both ancient and modern
theorists to talk in terms of the 'mimetic' role of art. The importance
of what occurred still affects the way we see today. Ranging widely over
the fields of sculpture, vase painting and the minor arts, this book
provides a clear introduction to the art of archaic and classical
Greece. By looking closely at the context in which and for which
sculptures and paintings were produced, Robin Osborne demonstrates how
artistic developments were both a product of, and contributed to, the
intensely competitive life of the Greek city. 'brilliantly illustrates
the purpose of this new series by focusing on the social and political
context of Greek art . . . a different approach suggesting new
perspectives and original connections . . . eye-opening and
thought-provoking' Professor François Lissarrague, Ecoles des Hautes
Etudes en Sciences Sociales, Paris 'brings all that is best in the 'new'
Classical art history to this exciting interpretation . . . No reader
of Osborne's stimulating and engaging book will come away with their
vision of Greek art unchanged' Jeremy Tanner, Institute of Archaeology,
University of LondonExplores the art of ancient Greece and its relationship to the world in which it was produced.
to 323 bc shows how sculptors and painters responded to the challenges
they faced in the extremely formidable and ambitious world of the Greek
city-state. The numerous symbols and images employed by their eastern
Mediterranean neighbours on the one hand, and the explorations of what
it was to be human embodied in the narratives with which Greek poets
worked on the other, helped produce the rich diversity of forms apparent
in Greek art. The drawings and sculptures of this period referred so
intimately to the human form as to lead both ancient and modern
theorists to talk in terms of the 'mimetic' role of art. The importance
of what occurred still affects the way we see today. Ranging widely over
the fields of sculpture, vase painting and the minor arts, this book
provides a clear introduction to the art of archaic and classical
Greece. By looking closely at the context in which and for which
sculptures and paintings were produced, Robin Osborne demonstrates how
artistic developments were both a product of, and contributed to, the
intensely competitive life of the Greek city. 'brilliantly illustrates
the purpose of this new series by focusing on the social and political
context of Greek art . . . a different approach suggesting new
perspectives and original connections . . . eye-opening and
thought-provoking' Professor François Lissarrague, Ecoles des Hautes
Etudes en Sciences Sociales, Paris 'brings all that is best in the 'new'
Classical art history to this exciting interpretation . . . No reader
of Osborne's stimulating and engaging book will come away with their
vision of Greek art unchanged' Jeremy Tanner, Institute of Archaeology,
University of LondonExplores the art of ancient Greece and its relationship to the world in which it was produced.
Thể loại:
Năm:
1998
Nhà xuát bản:
Oxford University Press, USA
Ngôn ngữ:
english
Trang:
270
ISBN 10:
0192842021
ISBN 13:
9780192842022
Loạt:
Oxford History of Art
File:
PDF, 26.44 MB
Các thể loại của bạn:
IPFS:
CID , CID Blake2b
english, 1998
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